Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Henry Keller
Wisdom and Destiny

ID: 04227

Henry Keller Wisdom and Destiny
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Henry Keller Wisdom and Destiny


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Henry Keller

1870-1949 Henry Keller Gallery Henry George Keller (1869 - 1949) was an American artist who led a generation of Ohio watercolor painters of the Cleveland School. Keller's students at the Cleveland School of Art and his Berlin Heights, Ohio summer school included Charles E. Burchfield, Paul Travis, and Frank N. Wilcox.  Related Paintings of Henry Keller :. | Portrait of a Man aqry65 | Death of St.Francis | Badende drenge | Some Dogs | That guldlama - the usual lastdjuret in Sydamerika am exposing one test pa collect guldmideskonst |
Related Artists:
Leon Lhermitte
1844-1925 was a French painter and etcher of the late nineteenth century. A student of Lecocq de Boisbourdran, he was a realist artist whose primary subject matter was of rural scenes depicting the peasant worker. He gained recognition after his show in the Paris Salon in 1864. His many awards include the French Legion of Honour (1884) and the Grand Prize at the Exposition Universelle in 1889. Lhermittees innovative use of the then contemporary media of pastels won him the admiration of his contemporaries. Vincent Van Gogh wrote that. If every month Le Monde Illustre published one of his compositions.
Johann Heinrich Wilhelm Tischbein
Johann Heinrich Wilhelm Tischbein, also known as Goethe-Tischbein (15 February 1751 - 26 February 1828) was a German painter. He was a descendant of the Tischbein family of painters, and a pupil of his uncle Johann Jacob Tischbein.
LA TOUR, Maurice Quentin de
French Rococo Era Painter, 1704-1788 French pastellist. He was one of the greatest pastellists of the 18th century, an equal of Jean-Simeon Chardin and Jean-Baptiste Perronneau. Unlike them, however, he painted no works in oils. Reacting against the stately portraits of preceding generations and against the mythological portraits of many of his contemporaries, La Tour returned to a more realistic and sober style of work. The fundamental quality of his art lies in his ability to suggest the temperament and psychology of his subjects by means of their facial expression, and thereby to translate their fugitive emotions on to paper: 'I penetrate into the depths of my subjects without their knowing it, and capture them whole', as he himself put it. His considerable success led to commissions from the royal family, the court, the rich bourgeoisie and from literary, artistic and theatrical circles.






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